翻訳と辞書
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・ Lamentabili sane exitu
・ Lamentaciones de Jeremias Propheta
・ Lamentate
・ Lamentatio sanctae matris ecclesiae Constantinopolitanae
・ Lamentation (disambiguation)
・ Lamentation (Gerard David)
・ Lamentation (Millennium)
・ Lamentation (novel)
・ Lamentation (Pietà)
・ Lamentation Mountain
・ Lamentation Mountain State Park
・ Lamentation of Christ
・ Lamentation of Christ (Dürer, Munich)
・ Lamentation of Christ (Dürer, Nuremberg)
・ Lamentation of Christ (Mantegna)
Lamentation of Christ (van der Weyden)
・ Lamentation over the Dead Christ (Botticelli)
・ Lamentation over the Dead Christ (Perugino)
・ Lamentation over the Dead Christ with Saints (Botticelli)
・ Lamentations
・ Lamentations (album)
・ Lamentations (Live at Shepherd's Bush Empire 2003)
・ Lamentations of Jeremiah the Prophet
・ Lamentations of Mary
・ Lamentations Rabbah
・ Lamentin
・ Lamento Borincano
・ Lamento d'Arianna discography
・ Lamento Náufrago (album)
・ Laments (Kochanowski)


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Lamentation of Christ (van der Weyden) : ウィキペディア英語版
Lamentation of Christ (van der Weyden)

The ''Lamentation of Christ'' is an oil-on-panel painting by the Netherlandish artist Rogier van der Weyden, dating from around 1460-1463 and housed in the Uffizi Gallery, Florence, Italy.
==History==
The work is perhaps the "altarpiece () Our Lord's sepulchre () and other five figures" which appear in the inventory made in 1492 at the death of Lorenzo de' Medici, and which decorated his Villa at Careggi since as early as 1482. The panel was thus one of the works commissioned by the Medici to van der Weyden, including the ''Medici Madonna'' now at Städel of Frankfurt, which has been also assigned to the artist's trip to Italy in 1450. Another hypothesis is that the panel was part of a lost triptych painted for Lionello d'Este of Ferrara, and mentioned in 1449, or that it was the painting described by Giorgio Vasari as Hans Memling's.〔
The panel adopts the same scheme in Fra Angelico's ''Pietà'' for the predella of the San Marco Altarpiece (1438–1443), now at the Alte Pinakothek of Munich, confirming that the Flemish artist visited Florence during his pilgrimage in Italy of 1449-1450, as confirmed by ''De viribus illustribus'' by Bartolomeo Facio (c. 1456). The work was later part of the collections of cardinal Carlo de' Medici, being moved to the Uffizi Gallery in 1666. Filippo Baldinucci described it as a work by Albrecht Dürer. In 1989 it was still assigned to Hans Memling by some scholars, but in 1992 a 1992 a reflex photography showed the underlying drawing, which was clearly executed by van der Weyden.〔

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